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Magnelli chose linocut and lithography as experimental workshops to translate the order already explored with the collages of the Grasse Group
color lithography became the language in which his vision found its most complete form
come nel libro Hinauta tsuki kuwashi del 1803
The representation of the rhythms of collective labor indeed finds significant precedents in other works of his
On the back
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 27, 1834 vasi Magnelli chose linocut and lithographyBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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